Definition:
The way and
degree to which the message a movement is trying to send is spread to the
public. Without any dissemination, protest movements are not visible and will
have much less impact than movements that are visible and widely disseminated
through a wide variety of sources. Things such as violence, visuals, drama, and
conflict all serve to increase dissemination of a protest and therefore its
visibility.
Example from the text or protest movement:
DeLuca and Peeples use the Greenpeace, an environmental
protection organization, as an example of effective dissemination and its
consequences. Early Greenpeace directors understood the concept of using
spectacle as a means to use the media to bring issues into the public
consciousness, and despite a lack of organization, resources, and large
membership, they were astonishingly successful in their goals (DeLuca and
Peeples, 192).
Passages from the text that help define or contextualize the
term:
“This understanding
of mass media has translated into a practice of staging image events for
dissemination… mass media provide a delivery system for image events that
explode ‘in the public’s consciousness to transform the way people view their
world’” (DeLuca and Peeples, 192).
“‘The more
dramatic you can make it, the more controversial it is, the more publicity you
will get… The drama translates into exposure. Then you tie the message into
that exposure and fire it into the brains of millions of people in the process’
(quoted in Scarce, 1990, p.104)” (DeLuca and Peeples, 192).
Source:
DeLuca, Kevin M.
and Peeples, Jennifer. "From Public Sphere to Public Screen: Democracy, Activism,
and the 'Violence' of Seattle." Readings in the Rhetoric of Social
Protest. Browne, Stephen Howard, and Charles E. Morris III, eds. State College,
PA: Strata Publishing, Inc., 2013.
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